Das Angebot
  • home
  • Overview
  • Workshops in Berlin
    ▼
    • Acting Intensive – Foundation Course
    • On-Camera Acting Workshop Int./Adv.
    • Movement Training for Actors
    • Milton Justice teaches The Stella Adler Technique
    • Acting Workshop with Sheila Gray
    • Acting Through Dreams & Scene Study
    • Online: Analysis of Schnitzler´s “Reigen”
    • THE WORK – A 5 Day Creative Dream Work
    • Masterclass Intensive with Terry Knickerbocker
    • Solo Performance Masterclass
    • Actors’ & directors’ tools
    • Dreamwork for Actors and Artists
    • Creating Personal Narrative
    • Directing Personal Narrative
    • Acting Masterclass with Greta Seacat
    • Online: Story for Tellers with Tomer Adorian
    • Screen Naturalism
    • Character Analysis & Movement Psychology
  • Acting Teachers/Coaches
    ▼
    • Matthias Schott
    • Eric Reis
    • Milton Justice
    • Sheila Gray
    • Pamela Scott
    • Mike Alfreds
    • Amanda Lovejoy Street
    • Geordie Brookman
    • Terry Knickerbocker
    • Miranda Harcourt
    • Martin Moran
    • Tomer Adorian
    • Greta Seacat
    • Lena Lessing
    • James Kemp
    • Ken Rea
  • Online Classroom
  • For Young People
    ▼
    • Intensive Workshop for Young Talents 12-18
    • Shakespeare for Young People
  • Screenwriting/Directing
    ▼
    • Young Writers Program
    • Workshop for Writers & Directors
  • Testimonials
  • Interviews
    ▼
    • Interview Sandra Seacat
    • Interview Ken Rea
    • Interview with Ken Rea
    • Interview Seamus McNally
  • Lectures
    ▼
    • Q & A with Terry Knickerbocker
  • The Studio
    ▼
    • Rebooking
    • Gift Vouchers
    • Archive (workshops)
      ▼
      • Joan van der Mast
      • Online: Analysis of Ibsen´s “Ghosts”
      • An introduction to the “Brahe Mask Work”
      • Sandra Seacat
      • An Introduction to Creative Dream Work
      • Presence and Audition Technique
      • Storytelling and Adaptation Workshop
      • Actor’s Journey – Meisner & Morris
      • On Characterization with Mike Alfreds
      • Acting Workshop Sandra Seacat
      • Page to Stage: Scene and Character Building
      • Space, the body and physical devising
      • Actors’ Intensive
      • Susan Batson Technique
      • Chekhov Technqiue – Imagination
      • Chekhov Technique – Psychological Gesture
      • “And Action! Acting Course”
      • ACT – Recharge Your Actor with Lena Lessing
      • Jordan Beswick
      • On Set
      • Pavel Farsky
      • „Just Act – Sing!“ with Pavel Farsky
      • Seamus McNally
      • Camera Acting & Showreel Scene
      • Film/TV Scene Study – Dee Cannon
      • Dee Cannon
      • Ron Burrus
      • Camera Acting – Stella Adler with Ron Burrus
      • Mastering the On-Camera Audition
      • Coach, Director, Scene
      • Susan Batson Technique Intensive
      • Intimacy On Set with Ita O’Brien
      • Ita O’Brien
      • Voice & British RP Accent Workshop
      • Paul Miller
      • John Osborne Hughes
      • The 10 Steps to Creating a Character
  • Calendar
  • News
  • Team Building Seminars
  • Your Support/Projects
  • Imprint
  • Privacy Policy
  • Get in Touch
  • Media
    ▼
    • Pictures
    • Project made by Ukrainian Artists
  • Videos and Podcasts
  • Lexicon Acting Techniques
    ▼
    • The Stanislavsky Technique
    • The Vakhtangov Acting Technique
    • The Group Theatre: Pioneers
    • German and American Theatre – Erwin Piscator
    • Brecht: Shaping Roles With a Critical Lens
    • The Stella Adler Acting Technique
    • Lee Strasberg Acting Method
    • The Uta Hagen Acting Technique
    • The Meisner Technique
    • Analysis Through Action – Active Analysis
    • George Tabori’s Unique Approach
    • Athol Fugard: Shaping South African Theatre
    • “Different Every Night” Director Mike Alfreds
    • The Practical Aesthetics Acting Technique
    • Physical Training – emphasis on Laban
    • Improvisation
    • Keith Johnston – the Principles of Improvisation
    • Dreams: Actors Preparing for Roles
    • Play Analysis
    • Acting training involving mask work
    • Playing with masks vs. social media
    • Creating Personal Narrative
    • Shakespeare & Acting Skills
    • On-Camera Acting Classes for Actors
    • Acting Experience: Directing Insights
    • The Pros and Cons of Self-Taping
    • Self-Tape Techniques
    • Self-Tape Tips
    • Self-Tape Tips II
    • Basic training can be crucial
  • Wortkunst

MOBILER SPRACHUMSCHALTER

  • Deutsch
  • English

DESKTOP SPRACHUMSCHALTER

  • Deutsch
  • English
  • home
  • Overview
  • Workshops in Berlin
    • Acting Intensive – Foundation Course
    • On-Camera Acting Workshop Int./Adv.
    • Movement Training for Actors
    • Milton Justice teaches The Stella Adler Technique
    • Acting Workshop with Sheila Gray
    • Acting Through Dreams & Scene Study
    • Online: Analysis of Schnitzler´s “Reigen”
    • THE WORK – A 5 Day Creative Dream Work
    • Masterclass Intensive with Terry Knickerbocker
    • Solo Performance Masterclass
    • Actors’ & directors’ tools
    • Dreamwork for Actors and Artists
    • Creating Personal Narrative
    • Directing Personal Narrative
    • Acting Masterclass with Greta Seacat
    • Online: Story for Tellers with Tomer Adorian
    • Screen Naturalism
    • Character Analysis & Movement Psychology
  • Acting Teachers/Coaches
    • Matthias Schott
    • Eric Reis
    • Milton Justice
    • Sheila Gray
    • Pamela Scott
    • Mike Alfreds
    • Amanda Lovejoy Street
    • Geordie Brookman
    • Terry Knickerbocker
    • Miranda Harcourt
    • Martin Moran
    • Tomer Adorian
    • Greta Seacat
    • Lena Lessing
    • James Kemp
    • Ken Rea
  • Online Classroom
  • For Young People
    • Intensive Workshop for Young Talents 12-18
    • Shakespeare for Young People
  • Screenwriting/Directing
    • Young Writers Program
    • Workshop for Writers & Directors
  • Testimonials
  • Interviews
    • Interview Sandra Seacat
    • Interview Ken Rea
    • Interview with Ken Rea
    • Interview Seamus McNally
  • Lectures
    • Q & A with Terry Knickerbocker
  • The Studio
    • Rebooking
    • Gift Vouchers
    • Archive (workshops)
      • Joan van der Mast
      • Online: Analysis of Ibsen´s “Ghosts”
      • An introduction to the “Brahe Mask Work”
      • Sandra Seacat
      • An Introduction to Creative Dream Work
      • Presence and Audition Technique
      • Storytelling and Adaptation Workshop
      • Actor’s Journey – Meisner & Morris
      • On Characterization with Mike Alfreds
      • Acting Workshop Sandra Seacat
      • Page to Stage: Scene and Character Building
      • Space, the body and physical devising
      • Actors’ Intensive
      • Susan Batson Technique
      • Chekhov Technqiue – Imagination
      • Chekhov Technique – Psychological Gesture
      • “And Action! Acting Course”
      • ACT – Recharge Your Actor with Lena Lessing
      • Jordan Beswick
      • On Set
      • Pavel Farsky
      • „Just Act – Sing!“ with Pavel Farsky
      • Seamus McNally
      • Camera Acting & Showreel Scene
      • Film/TV Scene Study – Dee Cannon
      • Dee Cannon
      • Ron Burrus
      • Camera Acting – Stella Adler with Ron Burrus
      • Mastering the On-Camera Audition
      • Coach, Director, Scene
      • Susan Batson Technique Intensive
      • Intimacy On Set with Ita O’Brien
      • Ita O’Brien
      • Voice & British RP Accent Workshop
      • Paul Miller
      • John Osborne Hughes
      • The 10 Steps to Creating a Character
  • Calendar
  • News
  • Team Building Seminars
  • Your Support/Projects
  • Imprint
  • Privacy Policy
  • Get in Touch
  • Media
    • Pictures
    • Project made by Ukrainian Artists
  • Videos and Podcasts
  • Lexicon Acting Techniques
    • The Stanislavsky Technique
    • The Vakhtangov Acting Technique
    • The Group Theatre: Pioneers
    • German and American Theatre – Erwin Piscator
    • Brecht: Shaping Roles With a Critical Lens
    • The Stella Adler Acting Technique
    • Lee Strasberg Acting Method
    • The Uta Hagen Acting Technique
    • The Meisner Technique
    • Analysis Through Action – Active Analysis
    • George Tabori’s Unique Approach
    • Athol Fugard: Shaping South African Theatre
    • “Different Every Night” Director Mike Alfreds
    • The Practical Aesthetics Acting Technique
    • Physical Training – emphasis on Laban
    • Improvisation
    • Keith Johnston – the Principles of Improvisation
    • Dreams: Actors Preparing for Roles
    • Play Analysis
    • Acting training involving mask work
    • Playing with masks vs. social media
    • Creating Personal Narrative
    • Shakespeare & Acting Skills
    • On-Camera Acting Classes for Actors
    • Acting Experience: Directing Insights
    • The Pros and Cons of Self-Taping
    • Self-Tape Techniques
    • Self-Tape Tips
    • Self-Tape Tips II
    • Basic training can be crucial
  • Wortkunst

Wir im Web

schauspielcoaching blog facebook-fanseite twitter-account instagram+

Abonniere unseren Newsletter

Mehr Informationen gibt es in unserer Datenschutzerklärung

Datenschutz *

Prüfen Sie Ihren Posteingang und den Spamordner, um Ihr Abonnement zu bestätigen.

Start > Theatre for all

Theatre for all

Print Friendly, PDF & Email

Acting and Personal Development

AUTHENTICITY AND PRESENCE

August 19th & 20th, 2017

“Weekend Course Acting/Theatre here”

MOBILER SPRACHUMSCHALTER

  • Deutsch
  • English

DESKTOP SPRACHUMSCHALTER

  • Deutsch
  • English
  • home
  • Overview
  • Workshops in Berlin
    • Acting Intensive – Foundation Course
    • On-Camera Acting Workshop Int./Adv.
    • Movement Training for Actors
    • Milton Justice teaches The Stella Adler Technique
    • Acting Workshop with Sheila Gray
    • Acting Through Dreams & Scene Study
    • Online: Analysis of Schnitzler´s “Reigen”
    • THE WORK – A 5 Day Creative Dream Work
    • Masterclass Intensive with Terry Knickerbocker
    • Solo Performance Masterclass
    • Actors’ & directors’ tools
    • Dreamwork for Actors and Artists
    • Creating Personal Narrative
    • Directing Personal Narrative
    • Acting Masterclass with Greta Seacat
    • Online: Story for Tellers with Tomer Adorian
    • Screen Naturalism
    • Character Analysis & Movement Psychology
  • Acting Teachers/Coaches
    • Matthias Schott
    • Eric Reis
    • Milton Justice
    • Sheila Gray
    • Pamela Scott
    • Mike Alfreds
    • Amanda Lovejoy Street
    • Geordie Brookman
    • Terry Knickerbocker
    • Miranda Harcourt
    • Martin Moran
    • Tomer Adorian
    • Greta Seacat
    • Lena Lessing
    • James Kemp
    • Ken Rea
  • Online Classroom
  • For Young People
    • Intensive Workshop for Young Talents 12-18
    • Shakespeare for Young People
  • Screenwriting/Directing
    • Young Writers Program
    • Workshop for Writers & Directors
  • Testimonials
  • Interviews
    • Interview Sandra Seacat
    • Interview Ken Rea
    • Interview with Ken Rea
    • Interview Seamus McNally
  • Lectures
    • Q & A with Terry Knickerbocker
  • The Studio
    • Rebooking
    • Gift Vouchers
    • Archive (workshops)
      • Joan van der Mast
      • Online: Analysis of Ibsen´s “Ghosts”
      • An introduction to the “Brahe Mask Work”
      • Sandra Seacat
      • An Introduction to Creative Dream Work
      • Presence and Audition Technique
      • Storytelling and Adaptation Workshop
      • Actor’s Journey – Meisner & Morris
      • On Characterization with Mike Alfreds
      • Acting Workshop Sandra Seacat
      • Page to Stage: Scene and Character Building
      • Space, the body and physical devising
      • Actors’ Intensive
      • Susan Batson Technique
      • Chekhov Technqiue – Imagination
      • Chekhov Technique – Psychological Gesture
      • “And Action! Acting Course”
      • ACT – Recharge Your Actor with Lena Lessing
      • Jordan Beswick
      • On Set
      • Pavel Farsky
      • „Just Act – Sing!“ with Pavel Farsky
      • Seamus McNally
      • Camera Acting & Showreel Scene
      • Film/TV Scene Study – Dee Cannon
      • Dee Cannon
      • Ron Burrus
      • Camera Acting – Stella Adler with Ron Burrus
      • Mastering the On-Camera Audition
      • Coach, Director, Scene
      • Susan Batson Technique Intensive
      • Intimacy On Set with Ita O’Brien
      • Ita O’Brien
      • Voice & British RP Accent Workshop
      • Paul Miller
      • John Osborne Hughes
      • The 10 Steps to Creating a Character
  • Calendar
  • News
  • Team Building Seminars
  • Your Support/Projects
  • Imprint
  • Privacy Policy
  • Get in Touch
  • Media
    • Pictures
    • Project made by Ukrainian Artists
  • Videos and Podcasts
  • Lexicon Acting Techniques
    • The Stanislavsky Technique
    • The Vakhtangov Acting Technique
    • The Group Theatre: Pioneers
    • German and American Theatre – Erwin Piscator
    • Brecht: Shaping Roles With a Critical Lens
    • The Stella Adler Acting Technique
    • Lee Strasberg Acting Method
    • The Uta Hagen Acting Technique
    • The Meisner Technique
    • Analysis Through Action – Active Analysis
    • George Tabori’s Unique Approach
    • Athol Fugard: Shaping South African Theatre
    • “Different Every Night” Director Mike Alfreds
    • The Practical Aesthetics Acting Technique
    • Physical Training – emphasis on Laban
    • Improvisation
    • Keith Johnston – the Principles of Improvisation
    • Dreams: Actors Preparing for Roles
    • Play Analysis
    • Acting training involving mask work
    • Playing with masks vs. social media
    • Creating Personal Narrative
    • Shakespeare & Acting Skills
    • On-Camera Acting Classes for Actors
    • Acting Experience: Directing Insights
    • The Pros and Cons of Self-Taping
    • Self-Tape Techniques
    • Self-Tape Tips
    • Self-Tape Tips II
    • Basic training can be crucial
  • Wortkunst

Wir im Web

schauspielcoaching blog facebook-fanseite twitter-account instagram+

Abonniere unseren Newsletter

Mehr Informationen gibt es in unserer Datenschutzerklärung

Datenschutz *

Prüfen Sie Ihren Posteingang und den Spamordner, um Ihr Abonnement zu bestätigen.