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Overview
Workshops in Berlin
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Acting Intensive – Foundation Course
On-Camera Acting Workshop Int./Adv.
Movement Training for Actors
Milton Justice teaches The Stella Adler Technique
Acting Workshop with Sheila Gray
Acting Through Dreams & Scene Study
Online: Analysis of Schnitzler´s “Reigen”
THE WORK – A 5 Day Creative Dream Work
Masterclass Intensive with Terry Knickerbocker
Solo Performance Masterclass
Actors’ & directors’ tools
Dreamwork for Actors and Artists
Creating Personal Narrative
Directing Personal Narrative
Acting Masterclass with Greta Seacat
Online: Story for Tellers with Tomer Adorian
Screen Naturalism
Character Analysis & Movement Psychology
Acting Teachers/Coaches
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Matthias Schott
Eric Reis
Milton Justice
Sheila Gray
Pamela Scott
Mike Alfreds
Amanda Lovejoy Street
Geordie Brookman
Terry Knickerbocker
Miranda Harcourt
Martin Moran
Tomer Adorian
Greta Seacat
Lena Lessing
James Kemp
Ken Rea
Online Classroom
For Young People
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Intensive Workshop for Young Talents 12-18
Shakespeare for Young People
Screenwriting/Directing
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Young Writers Program
Workshop for Writers & Directors
Testimonials
Interviews
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Interview Sandra Seacat
Interview Ken Rea
Interview with Ken Rea
Interview Seamus McNally
Lectures
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Q & A with Terry Knickerbocker
The Studio
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Rebooking
Gift Vouchers
Archive (workshops)
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Joan van der Mast
Online: Analysis of Ibsen´s “Ghosts”
An introduction to the “Brahe Mask Work”
Sandra Seacat
An Introduction to Creative Dream Work
Presence and Audition Technique
Storytelling and Adaptation Workshop
Actor’s Journey – Meisner & Morris
On Characterization with Mike Alfreds
Acting Workshop Sandra Seacat
Page to Stage: Scene and Character Building
Space, the body and physical devising
Actors’ Intensive
Susan Batson Technique
Chekhov Technqiue – Imagination
Chekhov Technique – Psychological Gesture
“And Action! Acting Course”
ACT – Recharge Your Actor with Lena Lessing
Jordan Beswick
On Set
Pavel Farsky
„Just Act – Sing!“ with Pavel Farsky
Seamus McNally
Camera Acting & Showreel Scene
Film/TV Scene Study – Dee Cannon
Dee Cannon
Ron Burrus
Camera Acting – Stella Adler with Ron Burrus
Mastering the On-Camera Audition
Coach, Director, Scene
Susan Batson Technique Intensive
Intimacy On Set with Ita O’Brien
Ita O’Brien
Voice & British RP Accent Workshop
Paul Miller
John Osborne Hughes
The 10 Steps to Creating a Character
Calendar
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Team Building Seminars
Your Support/Projects
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Media
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Pictures
Project made by Ukrainian Artists
Videos and Podcasts
Lexicon Acting Techniques
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The Stanislavsky Technique
The Vakhtangov Acting Technique
The Group Theatre: Pioneers
German and American Theatre – Erwin Piscator
Brecht: Shaping Roles With a Critical Lens
The Stella Adler Acting Technique
Lee Strasberg Acting Method
The Uta Hagen Acting Technique
The Meisner Technique
Analysis Through Action – Active Analysis
George Tabori’s Unique Approach
Athol Fugard: Shaping South African Theatre
“Different Every Night” Director Mike Alfreds
The Practical Aesthetics Acting Technique
Physical Training – emphasis on Laban
Improvisation
Keith Johnston – the Principles of Improvisation
Dreams: Actors Preparing for Roles
Play Analysis
Acting training involving mask work
Playing with masks vs. social media
Creating Personal Narrative
Shakespeare & Acting Skills
On-Camera Acting Classes for Actors
Acting Experience: Directing Insights
The Pros and Cons of Self-Taping
Self-Tape Techniques
Self-Tape Tips
Self-Tape Tips II
Basic training can be crucial
Wortkunst
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