Das Angebot
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Overview
Workshops in Berlin
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Online: Analysis of Chekhov´s “Three Sisters”
Movement Training & Creating A Character
Camera Acting Workshop + Demo Reel Scene
Dreamwork for Actors and Artists
Acting Intensive – Foundation Course
On-Camera Acting Masterclass Int./Adv.
Acting Workshop with Sheila Gray
Acting Through Dreams & Scene Study
Personal Narrative Writing Retreat
Masterclass Intensive with Terry Knickerbocker
THE WORK – A 5 Day Creative Dream Work
Acting Shakespeare with Andy Murray
Milton Justice teaches The Stella Adler Technique
Solo Performance Masterclass
Actors’ & directors’ tools
Directing Personal Narrative
Acting Masterclass with Greta Seacat
Online: Story for Tellers with Tomer Adorian
Screen Naturalism
Character Analysis & Movement Psychology
Acting Teachers/Coaches
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Mike Alfreds
Rainer Hackstock
Matthias Schott
Eric Reis
Sheila Gray
Pamela Scott
Martin Moran
Terry Knickerbocker
Amanda Lovejoy Street
Tomer Adorian
Milton Justice
Geordie Brookman
Andy Murray
Miranda Harcourt
Greta Seacat
Lena Lessing
James Kemp
Ken Rea
Online Classroom
For Young People
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Intensive Workshop for Young Talents 12-18
Shakespeare for Young People
Screenwriting/Directing
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Young Writers Program
Workshop for Writers & Directors
Testimonials
Interviews
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Interview Sandra Seacat
Interview Ken Rea
Interview with Ken Rea
Interview Seamus McNally
Lectures
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Q & A with Terry Knickerbocker
The Studio
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Rebooking
Private Acting Coaching
Gift Vouchers
Archive (workshops)
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Online: Analysis of Schnitzler´s “Reigen”
Joan van der Mast
An introduction to the “Brahe Mask Work”
Sandra Seacat
An Introduction to Creative Dream Work
Presence and Audition Technique
Storytelling and Adaptation Workshop
Actor’s Journey – Meisner & Morris
On Characterization with Mike Alfreds
Acting Workshop Sandra Seacat
Page to Stage: Scene and Character Building
Space, the body and physical devising
Actors’ Intensive
Susan Batson Technique
Chekhov Technqiue – Imagination
Chekhov Technique – Psychological Gesture
“And Action! Acting Course”
ACT – Recharge Your Actor with Lena Lessing
Jordan Beswick
On Set
Pavel Farsky
„Just Act – Sing!“ with Pavel Farsky
Seamus McNally
Camera Acting & Showreel Scene
Film/TV Scene Study – Dee Cannon
Dee Cannon
Ron Burrus
Camera Acting – Stella Adler with Ron Burrus
Mastering the On-Camera Audition
Coach, Director, Scene
Susan Batson Technique Intensive
Intimacy On Set with Ita O’Brien
Ita O’Brien
Voice & British RP Accent Workshop
Paul Miller
John Osborne Hughes
The 10 Steps to Creating a Character
Calendar
News
Team Building Seminars
Your Support/Projects
Imprint
Privacy Policy
Get in Touch
Media
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Pictures
Project made by Ukrainian Artists
Videos and Podcasts
Lexicon Acting Techniques
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Shakespeare & Acting Skills
The Stanislavsky Technique
The Vakhtangov Acting Technique
The Impact of Kabuki Theatre on Film
The Impact of German Expressionism on Film & Theatre
The Group Theatre: Pioneers
German and American Theatre – Erwin Piscator
Brecht: Shaping Roles With a Critical Lens
The Stella Adler Acting Technique
Lee Strasberg Acting Method
The Uta Hagen Acting Technique
The Meisner Technique
Analysis Through Action – Active Analysis
Peter Brook: Revolutionizing Theatre with Vision
George Tabori’s Unique Approach
Examining the origins of Ariane Mnouchkine’s Theatre
Athol Fugard: Shaping South African Theatre
“Different Every Night” Director Mike Alfreds
The Practical Aesthetics Acting Technique
Physical Training – emphasis on Laban
Improvisation
Keith Johnston – the Principles of Improvisation
Shakespearean Roots: The Influence of Theatre on Versatile Movie Actors
Dreams: Actors Preparing for Roles
Play Analysis
Playwrights
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The three Greek playwrights Aeschylus, Sophocles, and Euripides
The Timeless Legacy of Chekhov and Ibsen
Arthur Miller
Tennessee Williams
Samuel Beckett
Acting training involving mask work
Playing with masks vs. social media
Creating Personal Narrative
On-Camera Acting Classes for Actors
Acting Experience: Directing Insights
The Pros and Cons of Self-Taping
Self-Tape Techniques
Self-Tape Tips
Self-Tape Tips II
Basic training can be crucial
“I only memorize the lines!”
Wortkunst
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