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    • Scene Lab: The Art of Transformation
    • Butoh Intensive: Release and stay open with Vangeline
    • 3 Week – Acting Program
    • Milton Justice teaches The Stella Adler Technique
    • The Moving Frame – Cinematic Storytelling for the Actor
    • Chekov Workshop with Di Trevis
    • On-Camera Acting Masterclass Int./Adv.
    • Acting Workshop with Sheila Gray
    • Shakespeare workshop
    • Acting Foundation Course Hamburg
    • Advanced Scene Work with Terry Knickerbocker
    • The Expressive Gesture
    • Developing Your Character’s Physicality
    • Online: Analysis of Chekhov´s “Three Sisters”
    • Foundation Intensive Extension
    • Acting Through Dreams & Scene Study
    • THE WORK – A 5 Day Creative Dream Work
    • Personal Narrative Writing Retreat
    • Dreamwork for Actors and Artists
    • Actors’ & directors’ tools
    • Acting Masterclass with Greta Seacat
    • Screen Naturalism
    • Showreel Camp
  • Acting Teachers/Coaches
    ▼
    • Mike Alfreds
    • Matthias Schott
    • Darren Smith
    • Vangeline
    • Milton Justice
    • Welker White and Damian Young
    • Di Trevis
    • Eric Reis
    • Sheila Gray
    • Terry Knickerbocker
    • Amanda Lovejoy Street
    • Martin Moran
    • Greta Seacat
    • Miranda Harcourt
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    • Rainer Hackstock
    • Tomer Adorian
    • Lena Lessing
    • Geordie Brookman
    • James Kemp
    • Ken Rea
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  • For Young People
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    • Intensive Workshop for Young Talents 12-18
    • Shakespeare for Young People
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    • Interview Sandra Seacat
    • Interview Ken Rea
    • Interview with Ken Rea
    • Interview Seamus McNally
  • Lectures
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    • FREE live Zoom Q & A – Film/Tv Acting
    • Webinar – Q & A with Terry Knickerbocker
  • The Studio
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    • Rebooking
    • Private Acting Coaching
    • Quick fix & fresh viewpoint
    • Gift Vouchers
    • Archive (workshops)
      ▼
      • “And Action! Acting Course for all”
      • Character Analysis & Movement Psychology
      • Online: Story for Tellers with Tomer Adorian
      • Solo Performance Masterclass
      • Andy Murray
      • Acting Shakespeare with Andy Murray
      • Directing Personal Narrative
      • Online: Analysis of Schnitzler´s “Reigen”
      • Joan van der Mast
      • An introduction to the “Brahe Mask Work”
      • Sandra Seacat
      • An Introduction to Creative Dream Work
      • Presence and Audition Technique
      • Actor’s Journey – Meisner & Morris
      • On Characterization with Mike Alfreds
      • Acting Workshop Sandra Seacat
      • Page to Stage: Scene and Character Building
      • Space, the body and physical devising
      • Actors’ Intensive
      • Susan Batson Technique
      • Chekhov Technqiue – Imagination
      • Chekhov Technique – Psychological Gesture
      • “And Action! Acting Course”
      • ACT – Recharge Your Actor with Lena Lessing
      • Jordan Beswick
      • Pavel Farsky
      • „Just Act – Sing!“ with Pavel Farsky
      • Seamus McNally
      • Film/TV Scene Study – Dee Cannon
      • Dee Cannon
      • Ron Burrus
      • Camera Acting – Stella Adler with Ron Burrus
      • Mastering the On-Camera Audition
      • Coach, Director, Scene
      • Susan Batson Technique Intensive
      • Intimacy On Set with Ita O’Brien
      • Ita O’Brien
      • Voice & British RP Accent Workshop
      • Paul Miller
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    • Dee Cannon – In-Depth Acting – I
    • Dee Cannon – In-Depth Acting II – Transitive/Active Verbs
    • Yoshi Oida & the book ‘The Invisible Actor’
    • Peter Brook „The Empty Space“
    • Peter Brook’s „The Empty Space“ I
    • Peter Brook – Actors prepare – II
    • Peter Brook – Improvisation – III
    • Peter Brook – Excercises – IV
    • Peter Brook – Rehearsal – V
    • Theatre Directing and Filmdirecting books
    • Acting Classes – Attitude, Emotions, Showing up
    • Different approaches – Different Acting Techniques
    • Shakespeare & Acting Skills
    • The Stanislavsky Technique
    • The Vakhtangov Acting Technique
    • The Impact of Kabuki Theatre on Film
    • The Impact of German Expressionism on Film & Theatre
    • The Group Theatre: Pioneers
    • German and American Theatre – Erwin Piscator
    • Brecht: Shaping Roles With a Critical Lens
    • The Stella Adler Acting Technique
    • Lee Strasberg Acting Method
    • The Uta Hagen Acting Technique
    • The Meisner Technique
    • Analysis Through Action – Active Analysis
    • Peter Brook: Revolutionizing Theatre with Vision
    • George Tabori’s Unique Approach
    • Examining the origins of Ariane Mnouchkine’s Theatre
    • Athol Fugard: Shaping South African Theatre
    • “Different Every Night” Director Mike Alfreds
    • The Practical Aesthetics Acting Technique
    • Physical Training – emphasis on Laban
    • Improvisation
    • Keith Johnston – the Principles of Improvisation
    • Shakespearean Roots: The Influence of Theatre on Versatile Movie Actors
    • Dreams: Actors Preparing for Roles
    • Play Analysis
      ▼
      • The tendency to simplify scripts
    • Playwrights
      ▼
      • The three Greek playwrights Aeschylus, Sophocles, and Euripides
      • Revenge in Historical Plays and Tragedies
      • The Theme of Revenge in Historical Plays and Tragedies
      • Vengeance in Tragic Works: An Analysis of Medea
      • The Timeless Legacy of Chekhov and Ibsen
      • Arthur Miller
      • Tennessee Williams
      • Samuel Beckett
    • Acting training involving mask work
    • Playing with masks vs. social media
    • Creating Personal Narrative
    • On-Camera Acting Classes for Actors
    • Acting Experience: Directing Insights
    • The Pros and Cons of Self-Taping
    • Self-Tape Techniques
    • Self-Tape Tips
    • Self-Tape Tips II
    • Basic training can be crucial
    • “I only memorize the lines!”
  • Wortkunst

MOBILER SPRACHUMSCHALTER

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DESKTOP SPRACHUMSCHALTER

  • Deutsch
  • English
  • home
  • Overview
  • Workshops in Berlin
    • Storytelling Techniques for Solo Storytellers
    • Acting Intensive – Foundation Berlin
    • Scene Lab: The Art of Transformation
    • Butoh Intensive: Release and stay open with Vangeline
    • 3 Week – Acting Program
    • Milton Justice teaches The Stella Adler Technique
    • The Moving Frame – Cinematic Storytelling for the Actor
    • Chekov Workshop with Di Trevis
    • On-Camera Acting Masterclass Int./Adv.
    • Acting Workshop with Sheila Gray
    • Shakespeare workshop
    • Acting Foundation Course Hamburg
    • Advanced Scene Work with Terry Knickerbocker
    • The Expressive Gesture
    • Developing Your Character’s Physicality
    • Online: Analysis of Chekhov´s “Three Sisters”
    • Foundation Intensive Extension
    • Acting Through Dreams & Scene Study
    • THE WORK – A 5 Day Creative Dream Work
    • Personal Narrative Writing Retreat
    • Dreamwork for Actors and Artists
    • Actors’ & directors’ tools
    • Acting Masterclass with Greta Seacat
    • Screen Naturalism
    • Showreel Camp
  • Acting Teachers/Coaches
    • Mike Alfreds
    • Matthias Schott
    • Darren Smith
    • Vangeline
    • Milton Justice
    • Welker White and Damian Young
    • Di Trevis
    • Eric Reis
    • Sheila Gray
    • Terry Knickerbocker
    • Amanda Lovejoy Street
    • Martin Moran
    • Greta Seacat
    • Miranda Harcourt
    • Pamela Scott
    • Rainer Hackstock
    • Tomer Adorian
    • Lena Lessing
    • Geordie Brookman
    • James Kemp
    • Ken Rea
  • Online Classroom
  • For Young People
    • Intensive Workshop for Young Talents 12-18
    • Shakespeare for Young People
  • Screenwriting/Directing
    • Young Writers Program
    • Workshop for Writers & Directors
  • Testimonials
  • Interviews
    • Interview Sandra Seacat
    • Interview Ken Rea
    • Interview with Ken Rea
    • Interview Seamus McNally
  • Lectures
    • FREE live Zoom Q & A – Film/Tv Acting
    • Webinar – Q & A with Terry Knickerbocker
  • The Studio
    • Rebooking
    • Private Acting Coaching
    • Quick fix & fresh viewpoint
    • Gift Vouchers
    • Archive (workshops)
      • “And Action! Acting Course for all”
      • Character Analysis & Movement Psychology
      • Online: Story for Tellers with Tomer Adorian
      • Solo Performance Masterclass
      • Andy Murray
      • Acting Shakespeare with Andy Murray
      • Directing Personal Narrative
      • Online: Analysis of Schnitzler´s “Reigen”
      • Joan van der Mast
      • An introduction to the “Brahe Mask Work”
      • Sandra Seacat
      • An Introduction to Creative Dream Work
      • Presence and Audition Technique
      • Actor’s Journey – Meisner & Morris
      • On Characterization with Mike Alfreds
      • Acting Workshop Sandra Seacat
      • Page to Stage: Scene and Character Building
      • Space, the body and physical devising
      • Actors’ Intensive
      • Susan Batson Technique
      • Chekhov Technqiue – Imagination
      • Chekhov Technique – Psychological Gesture
      • “And Action! Acting Course”
      • ACT – Recharge Your Actor with Lena Lessing
      • Jordan Beswick
      • Pavel Farsky
      • „Just Act – Sing!“ with Pavel Farsky
      • Seamus McNally
      • Film/TV Scene Study – Dee Cannon
      • Dee Cannon
      • Ron Burrus
      • Camera Acting – Stella Adler with Ron Burrus
      • Mastering the On-Camera Audition
      • Coach, Director, Scene
      • Susan Batson Technique Intensive
      • Intimacy On Set with Ita O’Brien
      • Ita O’Brien
      • Voice & British RP Accent Workshop
      • Paul Miller
  • Calendar
  • News
  • Membership
  • Clarification–early commitment
  • Payment Plans
  • Team Building Seminars
  • Your Support/Projects
  • Imprint
  • Privacy Policy
  • Get in Touch
  • Media
    • Pictures
    • Project made by Ukrainian Artists
  • Videos and Podcasts
  • Lexicon Acting Techniques
    • Dee Cannon – In-Depth Acting – I
    • Dee Cannon – In-Depth Acting II – Transitive/Active Verbs
    • Yoshi Oida & the book ‘The Invisible Actor’
    • Peter Brook „The Empty Space“
    • Peter Brook’s „The Empty Space“ I
    • Peter Brook – Actors prepare – II
    • Peter Brook – Improvisation – III
    • Peter Brook – Excercises – IV
    • Peter Brook – Rehearsal – V
    • Theatre Directing and Filmdirecting books
    • Acting Classes – Attitude, Emotions, Showing up
    • Different approaches – Different Acting Techniques
    • Shakespeare & Acting Skills
    • The Stanislavsky Technique
    • The Vakhtangov Acting Technique
    • The Impact of Kabuki Theatre on Film
    • The Impact of German Expressionism on Film & Theatre
    • The Group Theatre: Pioneers
    • German and American Theatre – Erwin Piscator
    • Brecht: Shaping Roles With a Critical Lens
    • The Stella Adler Acting Technique
    • Lee Strasberg Acting Method
    • The Uta Hagen Acting Technique
    • The Meisner Technique
    • Analysis Through Action – Active Analysis
    • Peter Brook: Revolutionizing Theatre with Vision
    • George Tabori’s Unique Approach
    • Examining the origins of Ariane Mnouchkine’s Theatre
    • Athol Fugard: Shaping South African Theatre
    • “Different Every Night” Director Mike Alfreds
    • The Practical Aesthetics Acting Technique
    • Physical Training – emphasis on Laban
    • Improvisation
    • Keith Johnston – the Principles of Improvisation
    • Shakespearean Roots: The Influence of Theatre on Versatile Movie Actors
    • Dreams: Actors Preparing for Roles
    • Play Analysis
      • The tendency to simplify scripts
    • Playwrights
      • The three Greek playwrights Aeschylus, Sophocles, and Euripides
      • Revenge in Historical Plays and Tragedies
      • The Theme of Revenge in Historical Plays and Tragedies
      • Vengeance in Tragic Works: An Analysis of Medea
      • The Timeless Legacy of Chekhov and Ibsen
      • Arthur Miller
      • Tennessee Williams
      • Samuel Beckett
    • Acting training involving mask work
    • Playing with masks vs. social media
    • Creating Personal Narrative
    • On-Camera Acting Classes for Actors
    • Acting Experience: Directing Insights
    • The Pros and Cons of Self-Taping
    • Self-Tape Techniques
    • Self-Tape Tips
    • Self-Tape Tips II
    • Basic training can be crucial
    • “I only memorize the lines!”
  • Wortkunst

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Start > An introduction to the “Brahe Mask Work” > 147DF18F-522C-4235-9766-684D2E2BB24C_1_201_a

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MOBILER SPRACHUMSCHALTER

  • Deutsch
  • English

DESKTOP SPRACHUMSCHALTER

  • Deutsch
  • English
  • home
  • Overview
  • Workshops in Berlin
    • Storytelling Techniques for Solo Storytellers
    • Acting Intensive – Foundation Berlin
    • Scene Lab: The Art of Transformation
    • Butoh Intensive: Release and stay open with Vangeline
    • 3 Week – Acting Program
    • Milton Justice teaches The Stella Adler Technique
    • The Moving Frame – Cinematic Storytelling for the Actor
    • Chekov Workshop with Di Trevis
    • On-Camera Acting Masterclass Int./Adv.
    • Acting Workshop with Sheila Gray
    • Shakespeare workshop
    • Acting Foundation Course Hamburg
    • Advanced Scene Work with Terry Knickerbocker
    • The Expressive Gesture
    • Developing Your Character’s Physicality
    • Online: Analysis of Chekhov´s “Three Sisters”
    • Foundation Intensive Extension
    • Acting Through Dreams & Scene Study
    • THE WORK – A 5 Day Creative Dream Work
    • Personal Narrative Writing Retreat
    • Dreamwork for Actors and Artists
    • Actors’ & directors’ tools
    • Acting Masterclass with Greta Seacat
    • Screen Naturalism
    • Showreel Camp
  • Acting Teachers/Coaches
    • Mike Alfreds
    • Matthias Schott
    • Darren Smith
    • Vangeline
    • Milton Justice
    • Welker White and Damian Young
    • Di Trevis
    • Eric Reis
    • Sheila Gray
    • Terry Knickerbocker
    • Amanda Lovejoy Street
    • Martin Moran
    • Greta Seacat
    • Miranda Harcourt
    • Pamela Scott
    • Rainer Hackstock
    • Tomer Adorian
    • Lena Lessing
    • Geordie Brookman
    • James Kemp
    • Ken Rea
  • Online Classroom
  • For Young People
    • Intensive Workshop for Young Talents 12-18
    • Shakespeare for Young People
  • Screenwriting/Directing
    • Young Writers Program
    • Workshop for Writers & Directors
  • Testimonials
  • Interviews
    • Interview Sandra Seacat
    • Interview Ken Rea
    • Interview with Ken Rea
    • Interview Seamus McNally
  • Lectures
    • FREE live Zoom Q & A – Film/Tv Acting
    • Webinar – Q & A with Terry Knickerbocker
  • The Studio
    • Rebooking
    • Private Acting Coaching
    • Quick fix & fresh viewpoint
    • Gift Vouchers
    • Archive (workshops)
      • “And Action! Acting Course for all”
      • Character Analysis & Movement Psychology
      • Online: Story for Tellers with Tomer Adorian
      • Solo Performance Masterclass
      • Andy Murray
      • Acting Shakespeare with Andy Murray
      • Directing Personal Narrative
      • Online: Analysis of Schnitzler´s “Reigen”
      • Joan van der Mast
      • An introduction to the “Brahe Mask Work”
      • Sandra Seacat
      • An Introduction to Creative Dream Work
      • Presence and Audition Technique
      • Actor’s Journey – Meisner & Morris
      • On Characterization with Mike Alfreds
      • Acting Workshop Sandra Seacat
      • Page to Stage: Scene and Character Building
      • Space, the body and physical devising
      • Actors’ Intensive
      • Susan Batson Technique
      • Chekhov Technqiue – Imagination
      • Chekhov Technique – Psychological Gesture
      • “And Action! Acting Course”
      • ACT – Recharge Your Actor with Lena Lessing
      • Jordan Beswick
      • Pavel Farsky
      • „Just Act – Sing!“ with Pavel Farsky
      • Seamus McNally
      • Film/TV Scene Study – Dee Cannon
      • Dee Cannon
      • Ron Burrus
      • Camera Acting – Stella Adler with Ron Burrus
      • Mastering the On-Camera Audition
      • Coach, Director, Scene
      • Susan Batson Technique Intensive
      • Intimacy On Set with Ita O’Brien
      • Ita O’Brien
      • Voice & British RP Accent Workshop
      • Paul Miller
  • Calendar
  • News
  • Membership
  • Clarification–early commitment
  • Payment Plans
  • Team Building Seminars
  • Your Support/Projects
  • Imprint
  • Privacy Policy
  • Get in Touch
  • Media
    • Pictures
    • Project made by Ukrainian Artists
  • Videos and Podcasts
  • Lexicon Acting Techniques
    • Dee Cannon – In-Depth Acting – I
    • Dee Cannon – In-Depth Acting II – Transitive/Active Verbs
    • Yoshi Oida & the book ‘The Invisible Actor’
    • Peter Brook „The Empty Space“
    • Peter Brook’s „The Empty Space“ I
    • Peter Brook – Actors prepare – II
    • Peter Brook – Improvisation – III
    • Peter Brook – Excercises – IV
    • Peter Brook – Rehearsal – V
    • Theatre Directing and Filmdirecting books
    • Acting Classes – Attitude, Emotions, Showing up
    • Different approaches – Different Acting Techniques
    • Shakespeare & Acting Skills
    • The Stanislavsky Technique
    • The Vakhtangov Acting Technique
    • The Impact of Kabuki Theatre on Film
    • The Impact of German Expressionism on Film & Theatre
    • The Group Theatre: Pioneers
    • German and American Theatre – Erwin Piscator
    • Brecht: Shaping Roles With a Critical Lens
    • The Stella Adler Acting Technique
    • Lee Strasberg Acting Method
    • The Uta Hagen Acting Technique
    • The Meisner Technique
    • Analysis Through Action – Active Analysis
    • Peter Brook: Revolutionizing Theatre with Vision
    • George Tabori’s Unique Approach
    • Examining the origins of Ariane Mnouchkine’s Theatre
    • Athol Fugard: Shaping South African Theatre
    • “Different Every Night” Director Mike Alfreds
    • The Practical Aesthetics Acting Technique
    • Physical Training – emphasis on Laban
    • Improvisation
    • Keith Johnston – the Principles of Improvisation
    • Shakespearean Roots: The Influence of Theatre on Versatile Movie Actors
    • Dreams: Actors Preparing for Roles
    • Play Analysis
      • The tendency to simplify scripts
    • Playwrights
      • The three Greek playwrights Aeschylus, Sophocles, and Euripides
      • Revenge in Historical Plays and Tragedies
      • The Theme of Revenge in Historical Plays and Tragedies
      • Vengeance in Tragic Works: An Analysis of Medea
      • The Timeless Legacy of Chekhov and Ibsen
      • Arthur Miller
      • Tennessee Williams
      • Samuel Beckett
    • Acting training involving mask work
    • Playing with masks vs. social media
    • Creating Personal Narrative
    • On-Camera Acting Classes for Actors
    • Acting Experience: Directing Insights
    • The Pros and Cons of Self-Taping
    • Self-Tape Techniques
    • Self-Tape Tips
    • Self-Tape Tips II
    • Basic training can be crucial
    • “I only memorize the lines!”
  • Wortkunst

Wir im Web

schauspielcoaching blog facebook-fanseite bluesky-account instagram+

Manage Subscriptions: