Matthias Schott
Matthias Schott manages the Schott Acting Studio:
As well as working as a teacher, he is the key person responsible for organizing and running seminars and masterclasses.
Many engagements as an actor at various theatres, including Düsseldorf Playhouse; director and producer of his own theatre productions.
As an actor trained at the European Theatre Institute (Constantin Stanislavski, Jevgeni Bagrationowitsch Wachtangow, Bertolt Brecht, Michael Chekhov Jerzy Grotowski, Physical Theatre: Meyerhold and Biomechanics, Masks, Improvisation and Commedia dell’Arte) he worked mainly as a stage actor. For the past 9 years, he has been running his own workshops and scene study classes and preparing actors for theatre productions, film shoots and auditions.
Besides his traditional theatre training, he studied the Strasberg Method with the Actors Studio teachers Sandra Seacat, Greta Seacat, Geraldine Baron and Susan Batson; since 1998 he has regularly continued his studies of this method with Lena Lessing.
Teaching engagements and seminars for film schools; dramaturgical advice for authors and directors.
2014: Completed 2 year training in “Systemic Coaching and Business Mediation” at the BIF – Institut für Familientherapie e.V. (Institute for Family Therapy).
Since 2015, courses and studies in the work of C. G. Jung (Berlin, Dublin, New York, Washington, Los Angeles)
2022: “Viridis Graduate Institut: 10-week Intensive Eco psychology and Environmental Humanities“ – Changing the Roots of Narratives
“Matthias is a phenomenal acting coach. I always come back to his teachings, whether it be preparing for theatre or film. Matthias has an engaging, attentive and intuitive teaching style that nurtures each student’s journey. He identifies potential blocks and offers the tools to work through them in order to understand where you need to go to reach a level of higher awareness and understanding as an actor. He breaks down the multifaceted process through a vast variety of exercises, which makes the task at hand tangible and approachable, no matter where you are in your acting journey. Matthias’ workshops make up both individual and group exercises that shape and form each student and attune to each individual level. Matthias has guided me from a fundamental level to individual scene- and character work or auditions for schools and jobs. There is a wisdom and deep sense of humanity in the way he approaches each character or scene, teaching us to challenge our understanding of the human experience, be conscious and present in our acting choices, never judge our experience or understanding of the character, but be curious, free and creative.” – Nina Mariko Sandquist (Actress/Gangs of Oslo – Blodsbrødre)
Advanced Training:
James Kemp in “Character Analysis & Movement Psychology”
Liana Nyquist (Movement Specialist) – “Yat Malmgren´s Character Movement”
Mike Alfreds (Director) – Laban for Actors
Ken Rea – Presence and Audition technique
Ron Burrus – Stella Adler (Stella Adler Technique & On Camera Training)
Dee Cannon – Stanislawski/Uta Hagen (Royal Academy of Dramatic Art)
Rob Marchand – CBI Process (Improvisation/Mike Leigh uses to create his films)
Christopher Fettes – “Character Analysis & Movement Psychology”
Privat Sessions with Actors and Directors – Juilliard School New York
Susan Batson (Susan Batson Studio, NY)
Lena Lessing – (Susan Batson Technique)
Mike Bernadin – (Meisner Technique)
Further education (workshops):
Edgar Fell (Eric Morris/ Strasberg), John Colton (Stella Adler), Larry Moss (Strasberg/Meisner/Adler), Robert Castle and John Costopolous (Strasberg); Movement Training with Liana Nyquist (Yat Malmgren/ Character Movement), Gennadi Bogdanov (Biomechanic) and with several trainers teaching the work of Jerzy Grotowski and Eugenio Barba.
Improvisation training with Keith Johnston, Gorilla Theatre Berlin and Philip Said (Improliga Lyon)